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Budhenau

L'ART SONORE NÉO-ARCHAÏQUE





The aim of the project is to sonify and algorithmically rhythmise space through its own physical body using objects found within the radius indicated in the title.

L'art sonore néo-archaïque: [47°04'33.7"N 15°26'43.8"E] R10m

Dance of emptiness organized within space&time continuum via physical interaction powered by electrical energy.

L'Art Sonore Néo-Archaïque: [Forte Prenestino] R100m



L'art sonore néo-archaïque: [47.070973687278595, 15.44262131754548] R2000m


An environment-specific sound art performances for found-object rhythms and improvised organ drones in collaboration with Martin Simpson.

The found objects are triggered by algorithmic rhythms (Budhenau), creating a new sound experience in each environment. The use of algorithmic rhythms also adds a layer of unpredictability to the performance, making each iteration unique.

Along this rhythmic foundation, MASI unfolds a curious organ drone slowly, meandering through morphing clusters, beatings, and overtones to find ever-evolving spaces in which the music emerges. (the curious organ contraption is a Pneumatic Organ _, a work-in-progress acoustic drone instrument, in which pipes from a deconstructed organ are connected through haptic flow regulators to compressed wind in a cybernetic configuration.)

The performance title references the coordinates of the venue and the radius in which the objects are found, emphasizing the influence of the anthropogenic and natural environment on the work.